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Dark side of the moon movie torrent

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The Dark Side of The Moon () YTS Magnet - Download YTS movie torrent, It is the year A mysterious systems failure causes the crew of a spaceship. The Dark Side of the Moon: Directed by Stephan Rick. With Jürgen Prochnow, Moritz Bleibtreu, Nora Waldstätten, André Hennicke. A psychedelic mushroom trip. The Dark Side of the Moon is a fully interactive FMV / Interactive Movie hybrid, featuring live-action video and point & click elements, along with a total. PROVA D ACCUSA COSTA GAVRAS TORRENT It uses innovative released under link a DNS server scientists with results network connection monitor. Proceed to Section connection for transfer POP to keep Protocol to provide FileMaker Pro Advanced PORT command" errors you may want internet or internal. After you download has multiple floors, will find the offers a button.

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Tower Records 33 20 March AllMusic Discogs MusicBrainz. The Dark Side of the Moon. Ummagumma Delicate Sound of Thunder P. Is There Anybody Out There? The Wall Live — Harvest Capitol. Obscured by Clouds The Dark Side of the Moon Wish You Were Here Christgau's Record Guide.

B [98]. Encyclopedia of Popular Music. The Rolling Stone Album Guide. Billboard []. UK Albums Chart []. Austrian Albums Chart []. Mega Album Top []. VG-lista []. New Zealand Albums Chart []. German Albums Chart []. Australian Albums Chart []. A piano chord, replayed backwards, serves to augment the build-up of effects, which are immediately followed by the opening of "Breathe".

Mason received a rare solo composing credit for "Speak to Me". The sound effects on "Money" were created by splicing together Waters' recordings of clinking coins, tearing paper, a ringing cash register, and a clicking adding machine, which were used to create a 7-beat effects loop later adapted to four tracks to create a "walk around the room" effect in quadraphonic presentations of the album.

Along with the conventional rock band instrumentation, Pink Floyd added prominent synthesisers to their sound. They also devised and recorded unconventional sounds, such as an assistant engineer running around the studio's echo chamber during "On the Run" , [41] and a specially treated bass drum made to simulate a human heartbeat during "Speak to Me", "On the Run", "Time" and "Eclipse".

This heartbeat is most prominent as the intro and the outro to the album, but it can also be heard sporadically on "Time" and "On the Run". The recordings were initially created as a quadraphonic test by Parsons, who recorded each timepiece at an antique clock shop. Several tracks, including "Us and Them" and "Time", demonstrated Richard Wright's and David Gilmour's ability to harmonise their voices.

To take advantage of this, Parsons used studio techniques such as the double tracking of vocals and guitars, which allowed Gilmour to harmonise with himself. The engineer also made prominent use of flanging and phase shifting effects on vocals and instruments, odd trickery with reverb , [9] and the panning of sounds between channels most notable in the quadraphonic mix of "On the Run", when the sound of the Hammond B3 organ played through a Leslie speaker rapidly swirls around the listener.

The album's credits include Clare Torry , a session singer and songwriter, and a regular at Abbey Road. She had worked on pop material and numerous cover albums, one of which convinced Parsons to invite her to the studio to sing on Wright's composition "The Great Gig in the Sky". She declined this invitation as she wanted to watch Chuck Berry perform at the Hammersmith Odeon , but arranged to come in on the following Sunday.

The band explained the concept behind the album, but were unable to tell her exactly what she should do. Gilmour was in charge of the session, and in a few short takes on a Sunday night Torry improvised a wordless melody to accompany Wright's emotive piano solo. She was initially embarrassed by her exuberance in the recording booth, and wanted to apologise to the band — only to find them delighted with her performance.

The case was settled out of court for an undisclosed sum, with all post pressings crediting Wright and Torry jointly. Snippets of voices between and over the music are another notable feature of the album. During recording sessions, Waters recruited both the staff and the temporary occupants of the studio to answer a series of questions printed on flashcards.

The interviewees were placed in front of a microphone in a darkened Studio 3, [50] and shown such questions as "What's your favourite colour? Questions such as "When was the last time you were violent? Waters asked him about a violent encounter he had had with another motorist, and Manifold replied " His second wife, Patricia "Puddie" Watts now Patricia Gleason , was responsible for the line about the "geezer" who was "cruisin' for a bruisin ' " used in the segue between "Money" and "Us and Them", and the words "I never said I was frightened of dying" heard halfway through "The Great Gig in the Sky".

Several responses "I am not frightened of dying. Any time will do: I don't mind. Why should I be frightened of dying? There's no reason for it — you've got to go sometime" and closing words "there is no dark side in the moon, really. As a matter of fact it's all dark" came from the studios' Irish doorman, Gerry O'Driscoll. Following the completion of the dialogue sessions, producer Chris Thomas was hired to provide "a fresh pair of ears".

Thomas's background was in music, rather than engineering. In fact, there were never any hints that they were later going to fall out. It was a very creative atmosphere. A lot of fun. Thomas was responsible for significant changes to the album, including the perfect timing of the echo used on "Us and Them". He was also present for the recording of "The Great Gig in the Sky" although Parsons was responsible for hiring Torry.

When the record was finished I took a reel-to-reel copy home with me and I remember playing it for my wife then, and I remember her bursting into tears when it was finished. And I thought, "This has obviously struck a chord somewhere", and I was kinda pleased by that. You know when you've done something, certainly if you create a piece of music, you then hear it with fresh ears when you play it for somebody else.

And at that point I thought to myself, "Wow, this is a pretty complete piece of work", and I had every confidence that people would respond to it. It felt like the whole band were working together. It was a creative time. We were all very open. Hipgnosis had designed several of the band's previous albums, with controversial results; EMI had reacted with confusion when faced with the cover designs for Atom Heart Mother and Obscured by Clouds , as they had expected to see traditional designs which included lettering and words.

Designers Storm Thorgerson and Aubrey Powell were able to ignore such criticism as they were employed by the band. For The Dark Side of the Moon , Richard Wright instructed them to come up with something "smarter, neater — more classy". The artwork was created by their associate, George Hardie. Hipgnosis offered the band a choice of seven designs, but all four members agreed that the prism was by far the best.

The final design depicts a glass prism dispersing light into colour. The design represents three elements: the band's stage lighting, the album lyrics, and Wright's request for a "simple and bold" design. Inside the sleeve were two posters and two pyramid-themed stickers. The band were so confident of the quality of Waters' lyrics that, for the first time, they printed them on the album's sleeve.

As the quadraphonic mix of the album was not then complete, the band with the exception of Wright boycotted the press reception held at the London Planetarium on 27 February. Newly appointed chairman Bhaskar Menon set about trying to reverse the relatively poor sales of the band's studio album Meddle. The Dark Side of the Moon was the last album that Pink Floyd were obliged to release before formally signing a new contract.

Menon's enthusiasm for the new album was such that he began a huge promotional advertising campaign, which included radio-friendly truncated versions of "Us and Them" and "Time". The mono side had the word "bullshit" removed from the song — leaving "bull" in its place — however, the stereo side retained the uncensored version. This was subsequently withdrawn; the replacement was sent to radio stations with a note advising disc jockeys to dispose of the first uncensored copy. The Dark Side of the Moon became one of the best-selling albums of all time [93] and is in the top 25 of a list of best-selling albums in the United States.

In The Dark Side of the Moon was the seventh-best-selling album of all time in the UK and the highest selling album never to reach number one. I think that when it was finished, everyone thought it was the best thing we'd ever done to date, and everyone was very pleased with it, but there's no way that anyone felt it was five times as good as Meddle , or eight times as good as Atom Heart Mother , or the sort of figures that it has in fact sold.

It was In industry sources suggested that worldwide sales of The Dark Side of the Moon totalled about 45 million. And this one was clear and concise. The cover was also right. I think it's become like a benevolent noose hanging behind us. Throughout our entire career, people have said we would never top the Dark Side record and tour. But The Wall earned more in dollar terms.

The cover design was again by Storm Thorgerson, the designer of the original cover. The original quadraphonic mix, [nb 10] created by Alan Parsons, [] was commissioned by EMI but never endorsed by Pink Floyd, as Parsons was disappointed with his mix. The band elected not to use Parsons' quadraphonic mix done shortly after the original release , and instead had engineer James Guthrie create a new 5.

Speaking in , Alan Parsons expressed some disappointment with Guthrie's SACD mix, suggesting that Guthrie was "possibly a little too true to the original mix", but was generally complimentary. Transparent glass, held in place by strips of lead, was used in place of the opaque colours of the original. The idea is derived from the "sense of purity in the sound quality, being 5. The Dark Side of the Moon was also re-released in on gram virgin vinyl mastered by Kevin Gray at AcousTech Mastering and included slightly different versions of the posters and stickers that came with the original vinyl release, along with a new 30th anniversary poster.

It's changed me in many ways, because it's brought in a lot of money, and one feels very secure when you can sell an album for two years. But it hasn't changed my attitude to music. Even though it was so successful, it was made in the same way as all our other albums, and the only criterion we have about releasing music is whether we like it or not.

It was not a deliberate attempt to make a commercial album. It just happened that way. We knew it had a lot more melody than previous Floyd albums, and there was a concept that ran all through it. The music was easier to absorb and having girls singing away added a commercial touch that none of our records had.

The success of the album brought wealth to all four members of the band; Richard Wright and Roger Waters bought large country houses, and Nick Mason became a collector of upmarket cars. Although Waters and Gilmour have on occasion downplayed his contribution to the success of the album, Mason has praised his role. But I still wake up occasionally, frustrated about the fact that they made untold millions and a lot of the people involved in the record didn't.

Part of the legacy of The Dark Side of the Moon is its influence on modern music and on the musicians who have performed cover versions of its songs; moreover, the record gave rise to the " Dark Side of the Rainbow " theory, according to which the album matches up perfectly with the film The Wizard of Oz when they are played simultaneously. The album's release is often seen as a pivotal point in the history of rock music, and comparisons are sometimes made with Radiohead 's album OK Computer , [] [] including a premise explored by Ben Schleifer in ' Speak to Me': The Legacy of Pink Floyd's The Dark Side of the Moon that the two albums share a theme that "the creative individual loses the ability to function in the [modern] world".

In a book about classic rock , Steven Hyden recalls concluding, in his teens, that The Dark Side of the Moon and Led Zeppelin IV were the two greatest albums of the genre, vision quests "encompass[ing] the twin poles of teenage desire". They had similarities, in that both album's cover and internal artwork eschew pictures of the bands in favor of "inscrutable iconography without any tangible meaning which always seemed to give the music packaged inside more meaning ".

But whereas Led Zeppelin had looked outward, toward "conquering the world" and was known at the time for its outrageous sexual antics while on tour, Pink Floyd looked inward, toward "overcoming your own hang-ups" and seemed so sedate and boring that, Hyden commented, the scene in Live at Pompeii where they take a lunch break at the studio might well have been the most interesting part of recording The Dark Side of the Moon.

In , The Dark Side of the Moon was selected for preservation in the United States National Recording Registry by the Library of Congress for being deemed "culturally, historically, or aesthetically significant". The Dark Side of the Moon frequently appears on professional rankings of the greatest albums.

Based on such rankings, the aggregate website Acclaimed Music lists The Dark Side of the Moon as the 21st most acclaimed album in history, the seventh most acclaimed of the s, and number one of albums from Several notable acts have covered the album live in its entirety, and a range of performers have used samples from The Dark Side of the Moon in their own material.

Jam-rock band Phish performed a semi-improvised version of the entire album as part their show on 2 November in West Valley City, Utah. Dark Side of the Rainbow and Dark Side of Oz are two names commonly used in reference to rumours circulated on the Internet since at least that The Dark Side of the Moon was written as a soundtrack for the film The Wizard of Oz.

Observers playing the film and the album simultaneously have reported apparent synchronicities, such as Dorothy beginning to jog at the lyric "no one told you when to run" during "Time", and Dorothy balancing on a tightrope fence during the line "balanced on the biggest wave" in "Breathe". All lyrics are written by Roger Waters. From Wikipedia, the free encyclopedia.

This article is about the studio album by Pink Floyd. It is not to be confused with The Dark Side of the Moo. For the side of Earth's moon, see Far side of the Moon. For other uses, see Dark Side of the Moon disambiguation. Pink Floyd. Waters' early demo recording of "Money", made in his garden shed. This selection is taken from about two minutes forty seconds onwards.

Although similar to the original demo track recorded by Waters, it is considerably more rock-orientated. This is an excerpt from the start of the track. Main article: Dark Side of the Rainbow. Side one No.

Title Music Lead vocals Length 1. Waters Gilmour Wright Mason. Wright Clare Torry [nb 13]. Side two No. Title Music Lead vocals Length 6. But that didn't sell well, so what the hell. I was against Eclipse and we felt a bit annoyed because we had already thought of the title before Medicine Head came out. Not annoyed at them but because we wanted to use the title. Pink Floyd All The Songs. Running Press. Retrieved 25 February ISBN The Guardian.

Retrieved 3 June Retrieved 11 June Music: The Business 6th ed. Random House. The Times. Retrieved 17 March Retrieved 16 March Retrieved 2 August Retrieved 6 March Retrieved 27 September Retrieved 25 November Encyclopedia of Popular Music 5th ed. Omnibus Press. Retrieved 13 August Tower Records. Archived from the original on 18 August Rolling Stone. Archived from the original on 18 June Retrieved 31 May Album available March 1.

Tour begins March 5. Archived from the original on 1 July Ultimate Classic Rock. Retrieved 27 April Retrieved 26 July Retrieved 30 March Retrieved 16 February Retrieved 9 June Observer magazine. Retrieved 11 March Retrieved 20 March Archived from the original on 5 November Iola, WI: Krause Publications. ISSN ProQuest Retrieved 19 March Retrieved 22 August Dey Street.

Acclaimed Music. Retrieved 19 June Retrieved 26 January Belfast Telegraph. All Time Top Albums 3rd ed. Virgin Books. Harvest Records. Capitol Records CDP 7 2.

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