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Nothing fancy or luxury, just styles so mainstream as to be almost vernacular. What West saw, though, was pure Yeezy. While selecting items, he got a call from Virgil Abloh, who was recently named the artistic director of menswear at Louis Vuitton. They spoke about the clothes West was finding, about Drake , about the colours of the Ye album cover.
And you saw, we do. It reckons with the internal chemistry that causes mental illness and with the real-life consequences of his public behaviour. It feels immediate, an in-the-moment emotional reckoning delivered with the alacrity of a mids mixtape. And he still went to see Deadpool 2. At just seven songs, Ye is less carefully constructed than the works from his most popular era. Perhaps the most consequential lyrics of this West era are about mental health.
Like Louis CK said: I flip through the manual. I weigh all the options. The following morning, West arrived in the dining area for breakfast around 10 am, wearing a red hoodie over a long-sleeved gray Calabasas T-shirt. At one point, they were recording music for a possible collaborative album.
They now have three children: five-year-old North; two-year-old Saint and five-month-old Chicago. Their lives and businesses are symbiotic. She flew to Wyoming to celebrate at the ranch with West and over the next two days, they checked in regularly by phone. Like many of the songs on Ye , this one functions as both personal and professional, micro and macro, individual and universal. West is serenading not just his wife, but also the fans who stuck by him during this most trying period.
Staying down, he understands, has not been a given. And yet Ye still debuted at the top of the Billboard album chart. Along the way, there will be missteps, setbacks, even upheavals. Registration is a free and easy way to support our truly independent journalism. By registering, you will also enjoy limited access to Premium articles, exclusive newsletters, commenting, and virtual events with our leading journalists.
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This book is smart, confident, and necessary. Moore is thoughtful, incisive, and generous in this work, and will hopefully set a blueprint for how we honor the brilliant and living. Through thoughtful prose, strong investigative research, and a deep passion for the subject matter, Marcus J.
Moore paints a picture of Kendrick that anyone can admire. Moore's look at Kendrick Lamar beautifully illustrates the power of the word and the great value it holds in the community that birthed hip hop. Therein, we all better understand and appreciate why Black lives—and rhymes—matter. Tell us what you like and we'll recommend books you'll love. Sign up and get a free ebook! Table of Contents Excerpt Rave and Reviews.
A welterweight, and just five feet, five inches tall, he looks more like a Baptist youth minister than the greatest rapper of his generation. But he is the greatest rapper, and he worked damn hard to make it so. Instead, he simply found something he loved and stuck with it. He was shy, an only child until the age of seven. A in Young black and brown children had to navigate that land before they could fully comprehend street politics.
They had to learn the differences between the Piru and Crips gangs on the fly, in a city where wrong decisions could mean the difference between life and death. Kendrick spent time alone, cultivating his art in hopes of becoming great. For a naturally quiet being like Kendrick, writing poetry gave him the space to reveal his innermost thoughts without judgment from others. Prowess came in silence.
Kendrick ascended to the top of the music industry by being himself and staying true to what drove him artistically. Yet at the beginning of the s, Kendrick was just another upstart lyricist trying to find his place in music. In July , Kendrick released his first official album, the kaleidoscopic Section. It had everything: brassy jazz, mid-tempo soul, and headbanging street anthems. Kendrick was the cerebral introvert with theatrical flair, the quiet kid who patiently absorbed the fullness of his environment and spun what he saw into heartfelt streams of pain, struggle, and perseverance.
Just two years later, in , Kendrick was supposed to enjoy a grand coronation, at the 56th Annual Grammy Awards, but destiny had a different timeline. The twenty-six-year-old had pushed his way to the Staples Center, having dropped a steady stream of music that garnered universal acclaim and brightened his star to its most brilliant point. With guest appearances from hip-hop superstar Drake, and gangsta-rap-pioneer-turned-headphone-mogul Dr.
Dre, good kid, m. Kendrick had been dubbed L. Those men had been synonymous with gangsta rap, a reality-based strain of hip-hop that documented L. On good kid, m. Despite all the pageantry that usually comes with the Grammys, there was a remarkable sense of calm on his face. He was never one to get hopped up on accolades, anyway.
They usually had to come around to people like him, eschewing his blend of intellectual street rap for palatable, pop-oriented work. Year after year, the industry rewarded safety, not the groundbreaking art of wise young poets. But there he was anyway, dressed to the nines in a bespoke electric-blue tuxedo with his longtime girlfriend, Whitney Alford, at his side. In the crowd, Taylor Swift, the industry-minted country artist turned pop star with a penchant for lovelorn breakup songs, swayed joyously on camera.
Minutes later, with the music in full swing, Queen Latifah, the Afrocentric rap pioneer turned star actress, gazed delightfully at the stage—her face teeming with pride, bewilderment, and pure excitement. If you let the media tell it, those kids are not even supposed to make it out alive. Kendrick had Compton and a large swath of hip-hop culture on his side—the gangbangers, the college kids, and the aging B-boys.
He was the perfect combination of old- and new-school rap who could spit incisive rhymes in underground ciphers and beside the biggest pop stars. Kendrick embodied that nostalgia, and for those who grew up listening to Dre, Cube, and Snoop, his music struck the right balance of past and present, navigating both worlds with incredible ease and fluidity.
He was the voice of his community, even if the audience was much smaller. Still, it was somewhat surprising to hear other names deemed award winners throughout the evening. Jay-Z and Justin Timberlake? They were all bona fide stars in rap and pop music, both of whom had sold millions of records throughout the years. The pop star had a golden ear for catchy hooks and massive dance tracks that lingered inside your head.
Then there was Macklemore, a rapper from Seattle who was a relative newcomer to those beyond his hometown. Self-released projects like Open Your Eyes released under the name Professor Macklemore , The Language of My World , and The Unplanned Mixtape had found him wrestling with his own identity as a white man in a black genre. While the message resonated during the economic downturn, it also seemed to mock the very genre from which Macklemore earned his living.
Hip-hop was black music, and for Macklemore to release such a song felt like a slight to the art form and to the minorities for whom Kendrick Lamar spoke. Macklemore seemed to appropriate not just a genre but black culture itself, using its music to peddle safe messages to a mostly white audience.
Hip-hop was a way to document the trauma of racism and celebrate the unparalleled fortitude of blackness. It allowed a group like N. A to denounce law enforcement, and for a man like the Notorious B. Through hip-hop, black people were able to synthesize hardship into radiant poetry, and for Kendrick, the culture allowed room to wrestle with the yin and yang of life as a young black man in modern America.
In a country still largely uncomfortable with people of color, hip-hop was a community that needed to be protected. Compared with the confessional good kid, m. So much so that Macklemore texted Kendrick and posted a screenshot of the private interaction on Instagram.
I wanted you to win. I was gonna say that during the speech. Then the music started playing during my speech and I froze. Anyway, you know what it is. Congrats on this year and your music. Appreciate you as an artist and as a friend. It was one thing to text Kendrick privately, but letting the world know about it felt disingenuous. Own your shit.
In terms of people who are voting on those ballots that are filling out those bubbles, we have an unfair advantage due to race, due to the fact that we had huge radio success. And all us artists here, we fucking adore you.
You are our light. In a New York Times article published shortly after the awards show, critics predicted that black musicians would soon start boycotting the ceremony altogether. Use the old Gramophone to actually listen. Though the duo won the award, they, Public Enemy, and Slick Rick did not attend the ceremony.
According to the Recording Academy, album submissions are reviewed by more than experts throughout the music industry, all of whom work to make sure the records are sorted into their appropriate categories. Both the first-round ballots and final ballots are tabulated by an independent accounting firm, and the winner is announced. We really care because we are seeing the most incredible artists stand on that stage, and we aspire to be that. Because famous people tend to get more votes from clueless Academy members, regardless of the quality of their work.
In September , in an attempt to resolve its long-standing struggles with diversity, the Recording Academy invited nine hundred music creators to join its ranks as voting members. The academy also diversified the composition of its nomination review committees, which determine the final Grammy nominations across categories. The music industry and Recording Academy are not immune to that. The song arrived at a time of heightened tension between blacks and whites: in the United States, unarmed minorities were being killed by mostly white police officers at an alarming rate, and anyone with a smartphone could see bullets penetrate black bodies on endless loop.
It seemed Macklemore wanted to help the cause, to stand in solidarity with those who had lost loved ones and those who were tired of seeing their neighbors murdered without recourse. In one moment, he wanted to march with those fighting the injustices; the next he was off to the side, wondering if he should have been there in the first place.
His perspective threatened to overshadow that of the activists on the ground doing the real work. It was not enough to be a good dude privately; he needed to show the world just how cool he was. Paak, Jamila Woods, and Leon Bridges, Unruly Mess was an aptly titled collection of half-baked wokeness meant to show listeners that Macklemore really did belong in hip-hop culture.
A year later, Macklemore quietly released another album, Gemini , this time without Lewis as his producer. It can be something that uplifts, that makes you dance, that makes you cry, that makes you think. Meanwhile, following the Grammys, Kendrick traveled to South Africa to play a series of shows.
For eighteen years, Nelson Mandela sat on a remote island in the middle of the sea. From afar, the island looked inviting, a secluded peninsula surrounded by crisp blue water. Walking the land was something different: the struggle was baked into it; the souls of political prisoners loomed heavily above the threatening brick walls and looping barbwire.
Robben Island was, in a word, hell, but Mandela—the South African philanthropist who was arrested and sentenced to life in prison in —used peace as a weapon against daily hardship. He was a fighter who battled injustice of all sorts, whether it was the inhumane system of apartheid, or the censorship of his fellow inmates on the island.
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