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A spectacular special event edition of Swan Lake in 3-D starring Ekaterina Kondaurova and Natalia Vodianova, model, actress, and storyteller, was recorded and broadcast live from the histori Read all A spectacular special event edition of Swan Lake in 3-D starring Ekaterina Kondaurova and Natalia Vodianova, model, actress, and storyteller, was recorded and broadcast live from the historic Mariinsky Theatre St.

Petersburg, Russia, the city where the world's most loved ballet w Petersburg, Russia, the city where the world's most loved ballet was created. This was a 3-D live screening celebrating two hundred seventy-five years since Read all.

Director Ross MacGibbon. Top credits Director Ross MacGibbon. See more at IMDbPro. Photos Top cast Edit. Mariinsky Ballet Dancers as Dancers. Valery Gergiev Self - principal conductor as Self - principal conductor. Ekaterina Kondaurova Odette as Odette …. Vasily Tkachenko Jester as Jester. Andrei Yakovlev Price's tutor as Price's tutor. Ross MacGibbon. More like this. Watch options. Thomas leaves Sodor to fulfil his dream of seeing the world. This heroic quest takes Thomas across deserts, through jungles and over dangerous mountains as he travels across five continents….

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The biggest difference of productions all over the world is that the ending, originally tragic, is now sometimes altered to a happy ending. Some productions include a prologue that shows how Odette first meets Rothbart, who turns Odette into a swan. She tells him that he must choose a bride at the royal ball the following evening some productions include the presentation of some possible candidates.

Siegfried is upset that he cannot marry for love. His friend Benno and the tutor try to lift his troubled mood. As evening falls [ Sujet ], Benno sees a flock of swans flying overhead and suggests they go on a hunt [Finale I].

Siegfried and his friends take their crossbows and set off in pursuit of the swans. Siegfried has become separated from his friends. At first, she is terrified of Siegfried. When he promises not to harm her, she explains that she and her companions are victims of a spell cast by the evil owl-like sorcerer Rothbart. By day they are turned into swans and only at night, by the side of the enchanted lake — created from the tears of Odette's mother — do they return to human form. The spell can only be broken if one who has never loved before swears to love Odette forever.

Allegro vivo]. Siegfried threatens to kill him but Odette intercedes — if Rothbart dies before the spell is broken, it can never be undone. Siegfried breaks his crossbow, and sets about winning Odette's trust as the two fall in love. But as dawn arrives, the evil spell draws Odette and her companions back to the lake and they are turned into swans again. Guests arrive at the palace for a costume ball. Six princesses are presented to the prince [Entrance of the Guests and Waltz], as candidates for marriage.

Though the princesses try to attract the prince with their dances [Pas de six], Siegfried has eyes only for Odile. He then proclaims to the court that he will marry Odile before Rothbart shows him a magical vision of Odette. Grief-stricken and realizing his mistake he vowed only to love Odette , Siegfried hurries back to the lake.

Odette is distraught. The swan-maidens try to comfort her. Siegfried returns to the lake and makes a passionate apology. She forgives him, but his betrayal cannot be undone. Rather than remain a swan forever, Odette chooses to die. Siegfried chooses to die with her and they leap into the lake, where they will stay together forever.

This breaks Rothbart's spell over the swan maidens, causing him to lose his power over them and he dies. In an apotheosis , the swan maidens, who transform to regular maidens, watch as Siegfried and Odette ascend into the Heavens together, forever united in love. Prince Siegfried, his friends, and a group of peasants are celebrating the Prince's coming of age.

Siegfried's mother arrives to inform him she wishes for him to marry soon so she may make sure he does not disgrace their family line by his marriage. She has organised a ball where Siegfried is to choose his bride from among the daughters of the nobility. After the celebration, Siegfried and his friend, Benno, spot a flock of flying swans and decide to hunt them. Siegfried and Benno track the swans to a lake, but they vanish.

A woman wearing a crown appears and meets the two men. She tells them her name is Odette and she was one of the swans they were hunting. She tells them her story: Odette's mother, a good fairy, had married a knight, but she died and the knight remarried. Odette's stepmother was a witch who wanted to kill her, but her grandfather saved her. Odette's grandfather had cried so much over the death of Odette's mother, he created the lake with his tears. Odette and her companions live in the lake with Odette's grandfather, and can transform themselves into swans whenever they wish.

Odette's stepmother still wants to kill her and stalks her in the form of an owl, but Odette has a crown which protects her from harm. When Odette gets married, the witch will lose the power to harm her. Siegfried falls in love with Odette but Odette fears the witch will ruin their happiness.

Several young noblewomen dance at Siegfried's ball, but the Prince refuses to marry any of them. Baron von Rothbart and his daughter, Odile, arrive. Siegfried thinks Odile looks like Odette, but Benno doesn't agree. Siegfried dances with Odile as he grows more and more enamored of her, and eventually agrees to marry her.

At that moment, Rothbart transforms into a demon, Odile laughs, and a white swan wearing a crown appears in the window. The Prince runs out of the castle. In tears, Odette tells her friends Siegfried did not keep his vow of love. Seeing Siegfried is coming, Odette's friends leave and urge her to go with them, but Odette wants to see Siegfried one last time.

A storm begins. Siegfried enters and begs Odette for forgiveness. Odette refuses and attempts to leave. Siegfried snatches the crown from her head and throws it in the lake, saying "Willing or unwilling, you will always remain with me! I am dying! The lake rises from the storm and drowns Odette and Siegfried. The storm quiets, and a group of swans appears on the lake.

Tchaikovsky's original score including additions for the original production , [36] which differs from the score as revised by Riccardo Drigo for the revival of Petipa and Ivanov that is still used by most ballet companies. The titles for each number are from the original published score. Some of the numbers are titled simply as musical indications, those that are not are translated from their original French titles. From Wikipedia, the free encyclopedia.

Ballet by Pyotr Ilyich Tchaikovsky. This article is about the ballet. For other uses, see Swan Lake disambiguation. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. Main article: Swan Lake Extract from Act 1 2 : Extract from Act 2 6 : Extract from Act 3 1 : Extract from Act 4 2 : This section has multiple issues. Please help improve it or discuss these issues on the talk page. Learn how and when to remove these template messages.

March Learn how and when to remove this template message. This article appears to contain trivial, minor, or unrelated references to popular culture. Please reorganize this content to explain the subject's impact on popular culture, providing citations to reliable, secondary sources , rather than simply listing appearances.

October Encyclopedia Britannica. Retrieved 19 June The Cambridge Companion to Ballet. Cambridge Companions to Music. ISBN J Lane. Archived from the original on 6 March Royal Opera House. Archived from the original on 29 March History Hit. Latvian National Opera. Archived from the original on 21 August Retrieved 5 November American Ballet Theatre. Archived from the original on 13 December Retrieved 3 December Swan Lake Programme.

Archived from the original on 18 January Retrieved 3 February San Francisco: Chronicle Books. Archived from the original on 2 April Retrieved 14 September The New York Times. Retrieved 29 January Danse Danse. Retrieved 27 October The Guardian. Retrieved 22 May Bolshoi Theatre". Archived from the original on 12 December Retrieved 1 January Critical Dance. Retrieved 12 June Archived from the original on 13 January Retrieved 15 January Archived from the original on 9 May Retrieved 11 May Archived from the original on 9 September Retrieved 5 January Archived from the original on 26 March Retrieved 11 August Deadline Hollywood.

The Prince's mother is delighted that Siegfried is taken with Odile. He announces that he will marry her, and kisses Odile's hand. The Prince's mother and von Rothbart join their hands. The scene then darkens, and an owl cries out, as von Rothbart is revealed as a demon.

Odette appears helplessly at a window as white swan, while Odile laughs loudly. Siegfried is horrified, and flings away the hand of his newly betrothed. Clutching his breast, he rushes out of the castle. Act IV. Back at the lakeside clearing, the Swan maidens await Odette by the lake, unable to understand where their queen has gone. The young swans dance while they wait. Odette eventually returns in despair and tells the others that she has been betrayed, and no hope remains. Against their advice, Odette lingers to spend one last moment with Siegfried, who rushes in.

As a storm rises, Siegfried begs Odette's forgiveness, but she feels powerless to forgive him, and she tries to run away towards the ruins. The Prince catches up with her, grasps her hand and desperately exclaims that she will remain with him forever. Then he takes the crown from her head and throws it into the stormy lake. An owl flies screeching overhead, holding Odette's crown in its claws. Odette dies in the Prince's arms. The sad last song of the swan is heard.

Both lovers are engulfed by the overflowing lake. As the waters subside, swans are seen gliding across the calm surface of the lake. The ballet was commissioned from Tchaikovsky by the Directorate of the Bolshoi Theatre in Moscow during the spring of Nikolay Kashkin [6] recalled that the composer was persuaded to write a ballet on a mythical subject from the time of medieval knights, but there is very little reliable information on the process of composition.

Kashkin insisted that the composer began to work on the ballet in the spring and that the first act "was already written by the end of the conservatory examinations", although he mistakenly dates this to the spring of by which time the ballet had been completely orchestrated. In this same letter he mentions that he is tired, adding: "After my exertions of the last few days, I really intend to take a break before returning to Moscow. I don't want to think about music this coming term" [7].

I worked rather diligently and, apart from the symphony , I wrote in outline two acts of a ballet. I took this work on partly for the money, which I need, and partly because I have long wanted to try my hand at writing this type of music" [8].

It is not possible to ascertain exactly when the sketches were completed and the instrumentation was begun. On the fair copy of the manuscript, after Act I, No. Moscow ". Evidently at this point the rough sketches had already been completed, and the composer had embarked on the instrumentation of the ballet. Besides composing Lake of the Swans , Tchaikovsky had to attend to a number of other tasks.

Besides a ballet, which I am rushing to finish as soon as possible so that I can start on an opera, I have a mass of proofs and—worst of all—a commitment to write some musical articles" [10]. In order to do the job properly, I need two weeks away from here otherwise nothing will get done" [13]. In the same letter he reported that he was going to see Konstantin Shilovsky at Glebovo.

I want to get away from all the bustle and clamour of the festivities in Moscow , and to work properly on the ballet, which has to be finished as soon as possible. Yesterday in the hall of the Theatrical School there was a rehearsal of a few numbers from the first act of this ballet". And below he added: "The whole theatre was delighted with my music" [14].

The author's date at the end of the manuscript reads: "The End!!! Glebovo 10 April ". Evidently the full score of Act I was in the hands of the theatre before Tchaikovsky left on his foreign travels. In a report from the inspector of music, Yury Gerber, to the Directorate of the Moscow Theatres, we read: "I have the honour of informing the Directorate that on this day I received from Mr Tchaikovsky the remaining 3 acts of the ballet Swan Lake— Mr Tchaikovsky asked me to petition the Directorate for payment of the balance of his fee".

After finishing the ballet, Tchaikovsky was asked to write two supplementary numbers. The first of these pieces is described on the manuscript score as: "Russian Dance for the third act of Lake of the Swans for Madame. Karpakova ". This dance was performed by the principal ballerina in all productions of the ballet during the composer's lifetime. The origins of this Pas de deux are described in Pavel Pchelnikov 's recollections of Tchaikovsky [16]. The former was told the story by the conductor Stepan Ryabov.

Without naming the ballerina, Pchelnikov reported that she went to Saint Petersburg to ask the balletmaster Marius Petipa if he could furnish her with a Pas de deux. The number was set to music by the composer Ludwig Minkus. Not wanting to allow music by others in his ballet, Tchaikovsky wrote his own Pas de deux , preserving the length and divisions of Minkus' piece [17]. The Introduction alone was arranged for piano solo by the composer in or , and this was published with Nikolay Kashkin 's arrangement of the rest of the ballet, which had been made at the request of Tchaikovsky himself.

Would you like to hear it? Albrecht will be there as well" [19]. Nikolay Kashkin wrote about his work on the arrangement in his memoirs: "The principle objective of my arrangement of the ballet was, where possible, to preserve all the main lines in the full score, which was not a particularly easy task. When he came to review it, the author simplified a few places of little musical importance, while elsewhere he even added a few grace notes.

These additions could not be played on the piano, but, probably imagining the printed orchestral score of the ballet, the composer inserted these details simply because he took it into his head that the music would read better that way" [20]. In Tchaikovsky considered creating a suite from the music to Swan Lake , but it was only seven years after his death that such a suite was finally published, and it is unknown who made the selection of numbers.

There are few surviving accounts by Tchaikovsky concerning his ballet. None of Tchaikovsky's other stage works were subject to such changes and misrepresentation in productions as Swan Lake. Unfortunately, up to the present time it is still not possible to find materials which would show conclusively how the ballet was performed during the composer's lifetime.

Some information can be gleaned by comparing posters from the first three productions of the ballet on the stage of the Bolshoi Theatre in Moscow. Judging by the list of dance numbers, Julius Reisinger did not introduce any significant changes to the full score. It is impossible to tell from the titles of the individual dances whether the music was authentic. Nevertheless, bearing in mind the history of the Pas de deux , we might suppose that at the first production the music was performed in accordance with the author's full score, apart from small changes in the order of numbers and, possibly, some cuts evidently a Pas de cinq and Pas de dix dances replaced the Pas de deux discussed above.

When the ballet was revived in , the choreographer Hansen took greater liberties with the score. It is not known whether he introduced new music, but in any case much of the music was cut, including the Pas de six in Act III. It seems that the plot of the ballet was also changed, judging from some annotations to the list of dances performed. Thus, Odette was transformed from a good fairy in the original version into a Queen of the Swans, and the appearance of the magician Rothbart in Act IV was not preserved from the first version.

At the time of the third production, in , Hansen introduced further changes, and added a new dance in Act III for the ballerina Lydia Geiten— Cosmopolitan , to music by Cesar Pugni, which had no relevance whatsoever to the ballet. So don't forget: the second " [23]. This was the first production of a Russian ballet outside its native land, and it was repeated at the National Theatre a further seven times before the end of April [24].

Although the version of the ballet widely promulgated in the 20th century originated after the composer's death, it still played an important part in popularising Tchaikovsky's music and revealing the musical dramaturgy of his first ballet. In the same year, Ivan Vsevolozhsky decided to produce the complete ballet, and asked Modest Tchaikovsky to rewrite the libretto [25].

I hope that you have managed to leave out the flood in the last scene All this is confusing. I cannot order the scenery until the story is decided upon, but there is plenty of time" [26]. Drigo" [27]. For this production, three piano pieces by Tchaikovsky were inserted into the ballet, namely Nos.

As in the production, and in all subsequent ones, Swan Lake was never performed in its entirety i. Nikolay Kashkin 's piano arrangement of Swan Lake appeared in an edition by Pyotr Jurgenson in February for the premiere. In Jurgenson published the full score of the ballet corresponding to the composer's manuscript score, with an appendix containing the Russian Dance Act III, No. At this time, the Russian text of the libretto, included in the full score, was translated into the French language [29].

In the same year, Jurgenson reprinted Nikolay Kashkin 's piano score with the Russian text of the libretto, with an appendix including the Russian Dance [30]. When the full score was published in , Pyotr Jurgenson commissioned a new arrangement of the ballet for two hands, made by Eduard Langer of Riccardo Drigo's version the latter's orchestrations of the Op. The title page of the edition of this score carried a note explaining that the pieces inserted into the ballet were Tchaikovsky's own, and had been orchestrated by Drigo.

With this piece was a rough draft of the coda from the Pas de deux , now preserved in the archive of the Klin House-Museum. Tchaikovsky's orchestration for the 2nd variation has survived. The same editors also published Nikolay Kashkin 's solo piano arrangement, in volume 56 of the same series. Tchaikovsky's manuscript score of the complete ballet except Nos.

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